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Back in 1996, the late playwright August Wilson delivered an address at the annual conference for Theatre Communications Group, the national service organization for theaters in…
Change is afoot at Black Ensemble Theater as it prepares to embark on a new era, leveraging a $5 million grant to implement founder and CEO…
“Not touching but joined in astonishment as two cuts lie parallel in the same flesh,” writes Anne Carson in the 1998 novel, Autobiography of Red. Breathing…
The Uvalde school massacre put a somber hue on my mood going into 57 Blocks, Free Street Theater’s latest ensemble-created piece that takes a sharp look…
An average spectator might observe a skateboarder as nothing but a person on wheels; they see an athlete—or a delinquent, maybe—pushing and coasting and jumping (“How…
Since 2004 Plastic Crimewave (aka Steve Krakow) has used the Secret History of Chicago Music to shine a light on worthy artists with Chicago ties who’ve…
Guitarist and drummer Weasel Walter, the “brutal prog” purveyor best known as longtime leader of the Flying Luttenbachers, left Chicago in 2003 for San Francisco and…
Annnnd we’re back . . . Last January when the couple behind Malaysian pop-up Kedai Tapao took an extended winter break to visit the folks back…
Chrissie Dickinson was a multimedia artist and award-winning country and rock ‘n’ roll critic whose work appeared in the Chicago Reader, the Chicago Tribune, Newcity, the…
There’s a mannequin staring down from the second-floor window of the Lock Up Self Storage on Lincoln. She has a blonde wig and a stoic demeanor—the…









